Book Review

The Heiress Hunt by Joanna Shupe

TW: Sexual assault

Joanna Shupe is one of my auto-buy authors, so I was bummed when The Heiress Hunt fell flat for me. This first book in her Fifth Avenue Rebels series promised a friends-to-lovers romance, which I adore, but the hero’s inability to grow or change left me lukewarm at the end.

Harrison Archer is the second son to a tycoon and grew up in a pretty awful household. While his older brother, Teddy, was the golden child, Harrison’s parents never saw anything but flaws in him. The highlight of his childhood were his summers spent in Newport when he could escape his parents and run wild with his neighbor, Madeline Webster. The two became best friends, and eventually Harrison fell in love with Maddie, intending to court her when her Season began. Then he overheard her tell a friend she thought of him as nothing more than a brother.

Immediately after this Harrison got into a fight with his father (he caught his dad sexually assaulting a maid and called the police on him) that led to him being disinherited and cut off from the family. Harrison does what any alpha-male romance hero would: he moves to Paris, builds his own fortune, and quietly starts buying shares of the family business so he can destroy them.

Personally I would have eaten a lot of ice cream and cried, but hey, each to their own.

When the book opens Harrison is back. His dad is dead (no real loss there) and “perfect” Teddy has run the family business into the ground like he was planning the next Fyre Festival or something. Despite the fact that they were super duper shitty to them, Teddy and their mother both expect Harrison to marry an heiress and save the family.

So now that he’s back Harrison runs into Maddie again. He’s still in love with her and mentions that, “hey, I’ve got to marry an heiress because my family is broke now” and she, being a good friend, offers to host a house party in Newport where he can meet all of her friends like some weird version of The Bachelor only oddly less problematic. Harrison meanwhile is determined to make Maddie fall in love with him. Maddie is currently engaged to a duke, but Harrison knows engagements can be broken.

This was the part I didn’t get. Maddie and Harrison are next door neighbors and old friends, so it makes little sense that he’d need the house party ruse to spend time with her. He’s already in her social circle and her family knows him and likes him. The addition of the other women and Maddie playing matchmaker was unneeded. It felt to me like this section of the novel was setting up potential sequels and introducing secondary characters, but it wasn’t necessary for the hero/heroine’s journey. As a result it stalled out the pacing and caused the book to drag a bit.

Midway through the book, Harrison accidentally compromises Maddie (they kissed! My gods!) and they wind up having to get married. Maddie didn’t love the duke so it’s no big deal, I guess. Except for him, probably.

I liked the second half of the book better because it’s about Maddie and Harrison figuring out their relationship in the context of being married and I enjoy marriage of convenience stories.

The other element I enjoyed was that Maddie is a professional lawn tennis player. She’s training for Nationals and she has her own passion and ambitions. Harrison is supportive of this and we get lots of details about gilded-age lawn tennis. I found myself Googling details like what Maddie’s tennis outfit would have looked like and how the game has changed over the years. It was a fun little rabbit hole to go down.

What ultimately made me disappointed in the book, though, was that Harrison never grew as a character. The conflict in their relationship was that Harrison kept secrets from Maddie and was controlling when it came to information that was relevant to her life. He doesn’t tell her that he’s rich all on his own, nor that his shitty family threatened her when he bought out the business. Maddie routinely tells him that they have to be partners in the relationship or it won’t work, and he continues to withhold important details.

When the black moment comes, Harrison’s actions, which supposedly redeem him in Maddie’s eyes, are still controlling and presumptive. Neither his awareness nor his behavior changed, and I couldn’t figure out why Maddie forgave him rather than see his heavy-handedness as further evidence he was unable to meet her halfway.

This frustrated me as a reader because throughout the entire novel Harrison was making choices on Maddie’s behalf without consulting her. It felt paternalistic and condescending. In order for me to really like him, he had to grow to a point where he viewed and then treated Maddie as a person with agency, capable of making her own choices. Instead he repeats past behavior, takes action on her behalf, and repeatedly assumes he knows what she wants/needs without actually communicating with her.

Dudes making choices on a woman’s behalf without consulting her is not a theme I enjoy. The fact that Harrison continued to do so right up to the end of the book and never seemed to understand what was wrong with it made me grind my teeth.

Even though I was “meh” on The Heiress Hunt it won’t stop me from buying the next book in the series, and there’s a lot of sequel bait I’m curious about. It wasn’t my favorite novel of Shupe’s, but I’m hoping the next book in the Fifth Avenue Rebels works better for me.

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The Heiress Hunt by Joanna Shupe

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  1. Sydneysider says:

    This was also a “meh” for me. I had high hopes, but it didn’t work for me. I also felt that Harrison never grew or changed. I understood him not being able to communicate at 16, but he should be able to grow. The big conflict at the end fell flat for me – I don’t want to put any spoilers here, but I found his actions not believable after the rest of the book.

    I liked Maddie and I liked her having a tennis career. The other characters were fun so I’m willing to give the next book a go despite not loving this one.

  2. Star says:

    Oh, this is too bad. I stopped reading Shupe about a trilogy ago basically because this is how I’ve felt about all of her heroes except (ironically) the one in the last Shupe book I read, the one with the deaf hero who is being threatened with an institution. The Gilded Age setting is sufficiently interesting to me that I keep reading reviews in hope of discovering that she’s written another book with a different breed of hero, but I guess this is not going to be the book.

  3. ThJo says:

    But about the cover: am I seeing it wrong, or is he actually squatting on some beach with her sitting on his lap while they make out? Because gosh, that looks heavy. And public. But mostly just really freaking heavy.

    Maybe it’s an attempt to keep her dress from getting dirty, in which case I guess that’s nice of him? Surely there are better ways, though.

  4. Quidnunc says:

    The Frye Festival comment made me snort out loud. The brothers in any novels are never actually good at business are they?

  5. Lisa F says:

    I always tend to enjoy Shupe, but I agree that her heroes can sometimes cross the line into alpha overbearingness. Good work, Elyse!

  6. Julia says:

    This was a DNF for me. I really couldn’t get invested in either Harrison or Maddie, and agree that the opening set-up/gambit was forced and didn’t create authentic interactions or conversations. I personally am going to have to see some really great reviews in order to get interested in trying any other books in this series because this was not an auspicious start.

  7. Jen says:

    I liked some of her books but not all. I got to about 30% of the mogul and had to stop. I started it a while ago so I may not be remembering it clearly but I believe the hero would hide from the newspaper men by getting high in an opium den because they would never think to look for him there. Like the best place he could come up with to hide was lying on a dirty mat high on opium for days and days. The book didn’t make him out to be a drug addict, just a dude needing a place to hide from the paparazzi. So dumb.

  8. AlyBry says:

    This was, I think, the third historical in a row I’ve read where the hero basically takes away the heroine’s choices regarding her future and her marriage and I’m so frustrated! At least in those other books the heroes seemed to have some regrets and did some real groveling. I’m maybe 60% through, so maybe he does grovel later (this review doesn’t give me much hope), but his inner monologue is super clear about being very very happy that she has to marry him even though she’s clearly upset. Instead of apologizing and waiting until she says she’s ok, he basically decides it’s his wedding night so it’s time for sex, and apparently he’s good enough that she kind of forgets being mad? But so much of his internal monologue, the possessive jealousy, the willingness to upend her life, sent up so many red flags for me. Some books, I can recognize possessiveness as being vaguely problematic but not care because they’re hot. But I didn’t get enough chemistry from the leads in this one to make feel ok.

  9. Ellie M says:

    I wanted to love this so much. It had so much of my catnip–second chance, marriage of convenience, friends to lovers, athlete heroine. But, wound up skimming at about 50% because I was just so frustrated with Harrison. I wound up really disliking the book for the reasons stated in your review.

  10. Megan says:

    I’m coming to this review late primarily because as I was reading this, I thought “wow this is awful but let’s see what SBTB has to say,” and as usual, Elyse was spot on with the same thought process. In addition to the hero never growing (getting revenge and not caring about others isn’t growth), it was really overtly shame-y for the first half and really made me cringe. I also couldn’t get a handle on whether the heroin was a rebel or the one who calmed the rebel. The family of the hero was awful, but without nuance and very “villian-ey.” However, I also fell down the rabbit hole of looking up old tennis and the Newport “cottages” and shore walk, so I’ll appreciate the escapism that provided.

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