Smart Podcast, Trashy Books Podcast

320. Deep Diving in our OTPs with Amanda, Elyse, and Sarah

This week, we’re talking about shipping literally and figuratively!

Do you stan Dramione? Have a lifelong thing for Jareth and Sarah? Platinum blond antiheroes are your jam? Adam Driver in reallllly high waisted pants? Kataang or Zukara? Prince Diamond or Tuxedo Mask?

This week’s episode is all for you. Amanda, Elyse, and I are talking OTPs, our One True Pairings. We talk about our favorite ships, the pairings that always work for us, and what they reveal about our reading catnip. Often there are patterns in the conflicts of our OTPs that correspond to our favorite romances and our favorite tropes.

We ask important questions like,

Can Amanda set Elyse up with the Predator?

How many paranormal workplace romances does Elyse love? (Spoiler: A LOT)

Can we avoid discussing celebrity crushes? (Spoiler: nah)

Did Sarah retcon her own ending to Beauty and the Beast? (Spoiler: of course)

Note: there are some epic spoilers for things, including Final Fantasy 7, X-Files and the X-Files reboot, Buffy the Vampire Slayer, Avatar: The Last Airbender, and many others.

So, tell us: who are your OTPs? What pairings still make you happy-sigh? Are they related to your catnip? We want to know.

Leave a comment! Email us at sbjpodcast@gmail.com or call us at 201 371 3272! That’s 201 371 3272. Don’t forget to tell us your name so we can add you to a future episode, because I know this topic will come up again.

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This Episode's Music

Blackhouse by Peatbog FairiesOur music is provided by Sassy Outwater each week. This is the Peatbog Faeries brand new album Blackhouse.

This track is called “Chatham Lassies.”

You can find their new album at Amazon, at iTunes, or wherever you like to buy your fine music.


Podcast Sponsor

Cut and Run

This podcast episode and the podcast transcript are brought to you by Cut and Run by Mary Burton, on sale now from Montlake Publishing.

Twin sisters separated by the past are reunited by unspeakable crimes in New York Times bestselling author Mary Burton’s throat-clutching novel of suspense.

Trauma victims are not new to medical examiner Faith McIntyre, but this one is different. The unconscious woman clinging to life after a hit and run is FBI agent Macy Crow. What the woman from Quantico was doing in a dark alley after midnight is just one mystery. The other is more unsettling: Macy is Faith’s mirror image—the twin sister she never knew she had.

Faith knew that she was adopted, but now she’s finding that her childhood concealed other secrets. Following the trail of clues Macy left behind, Faith and Texas Ranger Mitchell Hayden make a shocking discovery on an isolated country ranch—a burial ground for three women who disappeared thirty years before.

They weren’t the only victims in a killer’s twisted plot. And they won’t be the last.

As the missing pieces of Faith’s and Macy’s dark lives snap into place, Faith is becoming more terrified by what she sees—and by what she must do to save her sister and herself from the past.

Cut and Run by Mary Burton is available now from Montlake Publishing.

Transcript

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This podcast transcript was handcrafted with meticulous skill by Garlic Knitter. Many thanks.

Transcript Sponsor

Cut and Run

This podcast episode and the podcast transcript are brought to you by Cut and Run by Mary Burton, on sale now from Montlake Publishing.

Twin sisters separated by the past are reunited by unspeakable crimes in New York Times bestselling author Mary Burton’s throat-clutching novel of suspense.

Trauma victims are not new to medical examiner Faith McIntyre, but this one is different. The unconscious woman clinging to life after a hit and run is FBI agent Macy Crow. What the woman from Quantico was doing in a dark alley after midnight is just one mystery. The other is more unsettling: Macy is Faith’s mirror image—the twin sister she never knew she had.

Faith knew that she was adopted, but now she’s finding that her childhood concealed other secrets. Following the trail of clues Macy left behind, Faith and Texas Ranger Mitchell Hayden make a shocking discovery on an isolated country ranch—a burial ground for three women who disappeared thirty years before.

They weren’t the only victims in a killer’s twisted plot. And they won’t be the last.

As the missing pieces of Faith’s and Macy’s dark lives snap into place, Faith is becoming more terrified by what she sees—and by what she must do to save her sister and herself from the past.

Cut and Run by Mary Burton is available now from Montlake Publishing.

Remember to subscribe to our podcast feed, find us on Apple Podcasts or wherever you listen to your favorite shows.
Smart Podcast, Trashy Books is part of the Frolic Podcast Network. Find many more outstanding podcasts at Frolic.media/podcasts!
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  1. Leanne Howard says:

    I am loving this entire podcast, post, comments, everything.

    I felt like Amanda was speaking my truth when I listened to the podcast. We have many ships in common (Jareth/Sarah, Reylo…) and I, too, came of age with HP and reading/writing fanfic in the early days of the internet. HOWEVER I will die on my Draco/Ginny hill. Dramione is my NOTP… lol.

    (Side note… does anyone remember the early days of HP shipping, when the “ships” had awesome names like S.S. Fire and Ice, S.S. Orange Crush, S.S. Wolfstar, etc? God I love the internet.)

    I also have a softer side that loves Fitzsimmons from Agents of Shield and Merthur from BCC Merlin (I’m crying forever – thank you fix-it fic). OH and Anne/Gilbert from AOGG. The original OTP for me. I think AOGG is what made me fall in love with romance.

    It’s so cool to see the couples that shape us, inspire us, etc.!

  2. anon says:

    Re: Mike/Sully from Dr. Quinn, Medicine Woman…

    Romance novels read-alikes for DQMW/Mike&Sully? Doesn’t have to be Western. I scanned through the comments to see if any books were mentioned in relation to DQMW but didn’t see any – apologies if I missed them.

  3. Zyva says:

    This would (oh, it will!) take me way too long to excavate properly, since I (stage 1 ) did not do pairings at all as a young kid, groaned at the “kissy bits” (because: high conflict divorce), and later (stage 2) thanks to my being much more interested in the functionality of two partners’ relationship – intra and inter (i.e. also with friends, family, etc and fending off foes) – than whether their relationship was sexual.

    In retrospect, the way I would find the TEAM far more dreamy than the romance was a big giveaway I was a budding demisexual. (Though that was not as violently obvious as the negative flipside was, say, the way I would superimpose sneers over bullies’ faces even when not in attack mode, or the full-body cold flush with a ‘how could anyone, ever, find that horror attractive?’ revulsion reaction I began to have to cruel people as a young adult.)

    This sounds okay, I suppose, even unfortunately normative-though-unrealistic for some (not my) tastes (cf Jodi McAllister’s interrogations of ‘compulsory demisexuality’, promoted often in romance). Actually, what I’m drawn to can backfire as a preference, because of course writers sail close to the wind to pull off twists/turnarounds/character arcs. It’s not as simple as: I like teams, therefore Forced Proximity, Friends to Lovers, or Second Chance romance tropes. I’m not actually very focused on how the team forms, or formed, so the storyline can skate very close to forced teaming , a red flag behaviour; particularly if the writer backloads such questionable elements into the backstory.
    …Or otherwise elides ‘zooming in’ on them. Think Jane Austen not specifying the contents of Darcy’s first, train-wreck, proposal, (cutting off right after the ‘but…’ equivalent), only harking back to rather impressionistic afterimages. (A distancing effect I got at double strength by encountering the story through episode 4 of the TV series, which completely spoiled nearly every plot twist.)

    Net effect: it’s not that difficult to get a maybe-mediocre pairing into my good graces, provided it’s stable. And I have way too much inertia to pick pairings unprompted. And too much genre-savvy dread as well. Coupling up tends to take the narrative in a dangerous direction, towards far more narrowly averted tragedy, which is not the recipe for me in the comedy (happy ending) genre – I greedily want a not-so-rocky road as well.

    So, not being one to ‘launch’ ships, I just see how far I can travel along with them – and sometimes they take me completely by surprise. For instance, I assumed I wouldn’t want a bar of baddies getting cosy, but apparently I can rationalise that. By not noticing (not seeing what I don’t want to see) wherever I can/could, or by reasoning that internal strife keeps baddies busy putting out fires rather than starting them.

    So, firstly my weird sociopath x sociopath (?) ‘OTPs’:

    – Beastly & Shrieky (“Care Bears”)
    Before you ask, I WAS on drugs (after an op) … when I re-watched the “Ski Trouble” episode. Beastly and Shrieky decide to make their villainous Care Bear-capturing duties a competition, with cooking the winner Gothic breakfast as the prize. And full-on bicker like a married couple the whole time. Argh, I can’t unsee it now!

    – Rattus P. Rattus the rat & Modigliana the cat, (“The Ferals” and “Feral TV”)
    (This one also betrays my early fascination for consumer affairs and business scandals. Though I didn’t know the terrible boss cane toad was named after then media baron Kerry Packer.)
    Ah, they are so anti-romantic and such unapologetically awful people. I could watch them fight for hours.
    (Btw I would totally watch Miss Piggy equally evenly matched. Always loved how abrasive she was, but she should totally go after someone she could mud-wrestle rather than sexually harassing Kermit.)

    The pairings I warmly approve of tend to have a ‘working relationship’ in some way. I mean, it might not function well at some points, because I prefer my main conflict external and ‘work’ is (usually) external, but interaction between them is in some practical sense ‘contractually’ required.
    (I guess that corresponds to an emphasis on competence and/or found family?)

    “The Rescuers” – Bernard & (‘Miss’) Bianca.

    “Heartbeat” – Nick & Kate Rowan. Cop + doc, it’s amazing for competence. But no long-term HEA, and it broke my little heart.

    “Captain Planet and the Planeteers” – Linka & Wheeler.
    My apologies with this. Unfortunately, they wrote the whitest combo only as older adolescent (like, legal) and with belligerent maybe-someday-sexual tension. And I really enjoy bickering tomboys and devil’s advocate pot-stirrers aka ‘ratbags’.

    “Xena” – Xena & Gabrielle
    I guess this was the most romantic pairing, in the sense that the central relationship, and the mix of perspectives in it, in great measure, carried the show through the less winning bits.

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