Historical Romances – Wahoo!

The Ladies Road Guide to Utter Ruin

In Regency England, the eccentric Colebrook sisters are amateur detectives who use their wits and invisibility as “old maids” to fight injustice in this delightful and fiercely feminist novel of mystery and adventure from New York Times bestselling author Alison Goodman.

To most of Regency high society, forty-two-year-old Lady Augusta Colebrook, or Gus, and her twin sister, Julia, are just unmarried ladies of a certain age. But the Colebrook twins are far from useless old maids. They are secretly protecting women and children ignored by society and the law.

When Lord Evan—a charming escaped convict who has won Gus’s heart—needs to hide his sister, Hester, from their vindictive brother, Gus and Julia take Hester and her lover into their home. But Lord Evan’s complicated past puts them all in danger. Gus knows they must clear his name of murder if he is to survive the thieftakers who hunt him. No easy task—the fatal duel was twenty years ago and a key witness is nowhere to be found.

In a deadly cat-and-mouse game, Gus, Julia, and Lord Evan must dodge their pursuers and investigate Lord Evan’s past. They will be thrust into the ugly underworld of Georgian gentlemen’s clubs, spies, and ruthless bounty hunters, not to mention the everyday threat of narrow-minded brothers. Will the truth be found in time, or will dangerous secrets from the past destroy family bonds and rip new love and lives apart?

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Rules for Ruin

No one betrays the Academy. But now Euphemia must break the rules for her enemy, or let the rules break her heart.

On the outskirts of London sits a seemingly innocuous institution with a secretive aim—train young women to distract, disrupt, and discredit the patriarchy. Outraged by a powerful politician’s systematic attack on women’s rights, the Academy summons its brightest—and most bitter—pupil to infiltrate the odious man’s inner circle. A deal is bring down the viscount, and Miss Euphemia Flite will finally earn her freedom.

But betting shop owner Gabriel Royce has other plans. The viscount is the perfect pawn to insulate Gabriel’s underworld empire from government interference. He’s not about to let some crinoline-clad miss destroy his carefully constructed enterprise—no matter how captivating he finds her threats.

From the rookeries of St. Giles to the ballrooms of Mayfair, Euphemia and Gabriel engage in a battle of wits and wills that’s complicated by a blossoming desire. Soon Euphemia realizes it’s not the broken promises to her Academy sisters she should fear. . . . It’s the danger to her heart.

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Copper Script

Detective Sergeant Aaron Fowler of the Metropolitan Police doesn’t count himself a gullible man. When he encounters a graphologist who deduces people’s lives and personalities from their handwriting with impossible accuracy, he needs to find out how the trick is done. Even if that involves spending more time with the intriguing, flirtatious Joel Wildsmith than feels quite safe.

Joel’s not an admirer of the police, but DS Fowler has the most irresistible handwriting he’s ever seen. If the policeman’s tests let him spend time unnerving the handsome copper, why not play along?

But when Joel looks at a powerful man’s handwriting and sees a murderer, the policeman and the graphologist are plunged into deadly danger. Their enemy will protect himself at any cost–unless the sparring pair can come together to prove his guilt and save each other.

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The Resurrectionist

In the tradition of The Alienist and A Love Story, a decadently macabre, dark and twisty gothic debut set in 19th century Scotland – when real-life serial killers Burke and Hare terrorized the streets of Edinburgh – as a young medical student is lured into the illicit underworld of body snatching.

Historical fiction, true crime, and dark academia intertwine in a harrowing tale of murder, greed, and the grisly origins of modern medicine for readers of Lydia Kang, ML Rio, Sarah Perry, and C.E. McGill.

Edinburgh, Scotland, 1828. Naïve but determined James Willoughby has abandoned his posh, sheltered life at Oxford to pursue a lifelong dream of studying surgery in Edinburgh. A shining beacon of medical discovery in the age of New Enlightenment, the city’s university offers everything James desires—except the chance to work on a human cadaver. For that, he needs to join one of the private schools in Surgeon’s Square, at a cost he cannot afford. In desperation, he strikes a deal with Aneurin “Nye” MacKinnon, a dashing young dissectionist with an artist’s eye for anatomy and a reckless passion for knowledge. Nye promises to help him gain the surgical experience he craves—but it doesn’t take long for James to realize he’s made a devil’s bargain . . .

Nye is a body snatcher. And James has unwittingly become his accomplice. Intoxicated by Nye and his noble mission, James rapidly descends into the underground ranks of the Resurrectionists—the body snatchers infamous for stealing fresh corpses from churchyards to be used as anatomical specimens. Before he knows it, James is caught up in a life-or-death scheme as rival gangs of snatchers compete in a morbid race for power and prestige.

James and Nye soon find themselves in the crosshairs of a shady pair of unscrupulous opportunists known as Burke and Hare, who are dead set on cornering the market, no matter the cost. These unsavory characters will do anything to beat the competition for bodies. Even if it’s cold-blooded murder . . .

Exquisitely macabre and delightfully entertaining, The Resurrectionist combines fact and fiction in a rollicking tale of the risks and rewards of scientific pursuit, the passions of its boldest pioneers, and the anatomy of human desire.

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