Mysteries, Non-Fiction, & More

The Queer Principles of Kit Webb

Critically acclaimed author Cat Sebastian makes her trade paperback debut in a stunning historical romance about a reluctantly reformed highwayman and the aristocrat who threatens to steal his heart.

Kit Webb has left his stand-and-deliver days behind him. But dreary days at his coffee shop have begun to make him pine for the heady rush of thievery. When a handsome yet arrogant aristocrat storms into his shop, Kit quickly realizes he may be unable to deny whatever this highborn man desires.

In order to save himself and a beloved friend, Percy, Lord Holland must go against every gentlemanly behavior he holds dear to gain what he needs most: a book that once belonged to his mother, a book his father never lets out of his sight and could be Percy’s savior. More comfortable in silk-filled ballrooms than coffee shops frequented by criminals, his attempts to hire the roughly hewn highwayman, formerly known as Gladhand Jack, proves equal parts frustrating and electrifying.

Kit refuses to participate in the robbery but agrees to teach Percy how to do the deed. Percy knows he has little choice but to submit and as the lessons in thievery begin, he discovers thievery isn’t the only crime he’s desperate to commit with Kit.

But when their careful plan goes dangerously wrong and shocking revelations threaten to tear them apart, can these stolen hearts withstand the impediments in their path?

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Jane Doe

A double life with a single purpose: revenge.

Jane’s days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes—meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.

But plain Jane is hiding something. And Steven’s bringing out the worst in her.

Nothing can distract Jane from going straight for his heart: allowing herself to be seduced into Steven’s bed, to insinuate herself into his career and his family, and to expose all his dirty secrets. It’s time for Jane to dig out everything that matters to Steven. So she can take it all away.

Just as he did to her.

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Sometimes I Trip On How Happy We Could Be

Pop culture is the Pandora’s Box of our lives. Racism, wealth, poverty, beauty, inclusion, exclusion, and hope — all of these intractable and unavoidable features course through the media we consume. Examining pop culture’s impact on her life, Nichole Perkins takes readers on a rollicking trip through the last twenty years of music, media and the internet from the perspective of one southern Black woman. She explores her experience with mental illness and how the TV series Frasier served as a crutch, how her role as mistress led her to certain internet message boards that prepared her for current day social media, and what it means to figure out desire and sexuality and Prince in a world where marriage is the only acceptable goal for women.

Combining her sharp wit, stellar pop culture sensibility, and trademark spirited storytelling, Nichole boldly tackles the damage done to women, especially Black women, by society’s failure to confront the myths and misogyny at its heart, and her efforts to stop the various cycles that limit confidence within herself. By using her own life and loves as a unique vantage point, Nichole humorously and powerfully illuminates how to take the best pop culture has to offer and discard the harmful bits, offering a mirror into our own lives.

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The Au Pair

If V. C. Andrews and Kate Morton had a literary love child, Emma Rous’ The Au Pair would be it.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family’s estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

Now an adult, Seraphine mourns the recent death of her father. While going through his belongings, she uncovers a family photograph that raises dangerous questions. It was taken on the day the twins were born, and in the photo, their mother, surrounded by her husband and her young son, is smiling serenely and holding just one baby.

Who is the child, and what really happened that day?

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