Bitchin' Blog Posts
Hot Sauce by Scott Pomfret & Scott Whittier
by SB Sarah | August 15, 2005 | Monday at 3:21 am | 27 CommentsTitle: Hot Sauce
Author: S. Pomfret & S. Whittier
Publication Info: Warner Books 2005
ISBN: 0446694312
Genre: Contemporary Romance

I have been mentally pacing, imagining my reviewer self walking back and forth across the space of my brain, trying to figure out how to approach this review.
Short answer: did I like the book? Heck yeah.
But how do I review it? Do I focus on its importance as a gay romance in a heavily-heterosexual genre, or do I approach it as a romance akin to every other romance I’ve read? As the RWA attempts to define what is romance, and what gendered pairs can and cannot participate in a romance novel, it is certainly important to acknowledge how important a gay romance novel is at the present moment. But at the same time, I should hold it to the same standards of any other romance novel, though that does mean that I might have to reveal some of my own preconceptions about romance, and how I ended up discarding a few thoughts of “If this were a heterosexual romance, who would fit the male role” and “... who would fit the female role” because to attempt to pigeonhole gay or lesbian couples into heterosexist stereotypes is wrong wrong wrong. And I know it - but that doesn’t mean I’m always immune from doing so, unfortunately. However, once I got into the story, it was just that: kickass storytelling, and the attempts to involve any heterosexism on my part fell away.
Hot Sauce is a love story that focuses on insecurities, specifically those based in class difference, constructed around a fantasy fairy-tale-esque plot structure. A working class boy from midwest moves to the big city, learns from a master chef, becomes a celebrity restauranteur in his own right, and ends up dating the man of his dreams, a rich, gorgeous, well-connected clothing designer from one of the best families in Boston.
Can you smell the insecurities?
Brad is one half of a gay power couple in Boston, unaccustomed to the attention and unable to find equilibrium when in public wih Troy, his debonair and socially-gifted boyfriend. Troy is, through both the narrator’s account and through his demonstrated actions, off his head about Brad, and yet Brad is unsure of his standing in Troy’s life, as if any minute Troy’s tenderness and caring will turn cold and he’ll be discarded.
Complicating matters is Aria Shakespeare, an upper-crust Bostonian who Troy once knew by a different name, prior to Aria acquiring an entirely different sort of crust - the scuzzy, deceitful kind.
As a total aside, I love adopted names like this. I know a few people who rename themselves in truly over-the-top dramatic fashion.I want to ask, do you think anyone will take that tweety name seriously? Or is it all drama? I once knew a drag queen who dubbed herself “Cicada.” You’re an annoying insect? Sure, why not? I have no room to talk, though - I am the Duchess of Cuntington.
Aria tries by any means necessary, including following them to foreign countries, to interfere with Brad and Troy’s happiness, and he cashes in on the most obvious solution to his goal of breaking them up: he targets Brad’s insecurity, and inserts himself neatly as a much better alternative for Troy’s attentions, using Troy, Caroline - Troy’s social harriden of a mother, and anyone else he can find to get what he wants: Troy. Or, more specifically, the attention he’d receive from being with Troy. He wants a piece of Troy’s glamour.
My only frustration with the book was with the imbalance between the narrator’s account of Troy, and the narrator’s account of Brad’s insecurity regarding Troy’s feelings for him. The narration makes it clear in repeated demonstrations that Troy is over the moon for Brad. He wouldn’t greet anyone else in a room full of political contacts until he spoke to Brad first, he would always look for Brad in a room full of people, and he constantly surprised Brad with trips and luxurious outings, and seemed to be a conscientious, giving lover. So as the reader I had no doubts that, despite the interference of the jealous Shakespeare Aria, Troy adored Brad.
But the narrator also cataloged the ways in which Brad felt slighted by Troy, aside from the attentive devotion Troy demonstrated wordlessly. Troy does not use words to describe his feelings; he does much better with the gesture or the gift than he does with the verbal account of his ardor. He is smooth and sophisticated at all turns, except when describing his feelings verbally. Brad, however, desperately wants to hear Troy say The Words, and Troy manages to avoid these verbal exchanges.
Insecurity gets the best of all of us, however, so it’s entirely realistic to watch Brad bank his happiness on whether Troy will tell him the words he longs to hear. Brad certainly has the right to ask for a clear demonstration of how Troy feels about him, without having the moment tainted by the possibility that Troy is really using their good looks and excellent professional partnership for profit and corporate gain, or without leaving Brad any room to question if it’s he himself that Troy loves, or the public image and the sex. Troy is used to being half of several different locally powerful “golden couples,” including a lucrative and somewhat caring partership with his mother, but Brad does not have the healthy ego to accept himself as on par with Troy’s relative celebrity.
Sooner or later you have to choose to believe in the person you love or believe in the snot-nosed coke headed freakshow who is telling you with some funky evidence that the person who you think loves you does not. So do you believe the person who is kind to you or the one who consistently treats you like shit? At what point does one’s own insecurities have to stop and take a look at their silly selves and say, “Wait a minute. I’ve been given no reason to doubt this person except by the word of someone who has never been trustworthy.”
I wish that moment had come a lot sooner than it did for Brad, as he could have saved himself some serious drama. Of course, if Troy had been able to open up and be more honest about his goals and intentions with Brad, perhaps they would have been able to commnunicate better, instead of letting some deceitful freakshow and a mother-in-law come between them. The narrator’s account of Troy, and of Brad’s perception of Troy, were off just enough to make me wonder how Brad could be so blind.
However, the story is as much about Brad’s growth in trusting his partner, and Troy’s growth in his ability to take personal risks in areas in which he’s not entirely comfortable, so in the end, Brad’s growth from insecurity to trust equals Troy’s growth from security to taking personal risks to ensure that security. And their happily ever after, and the just-desserts for Aria, are quite satifying.
Now, for the dishy part.
Y’all. SERIOUSLY. Gay sex. I learned so much about gay sex I can’t even tell you. I mean, in mainstream media one sees depictions of hetero sex all over the place, in various positions and locations. Even ABC, the Ass Broadcasting Network, had in-the-toilet-stall-sex on NYPD Blue, which about made me laugh because, well, EW. Hetero sex, it is everywhere.
But gay sex? Sex between two men? That’s a taboo area that isn’t often depicted, so really, did I have much of a clue what goes on between two dudes? Honestly, no. I didn’t. I have watched porn and seen sexually explicit still images, but descriptions of gay sex? Not really something I’ve encountered so much. Is there equal division between who is on top and who’s on bottom? What are the positional variations? And isn’t there, well, santorum?
I had no clue. But now, I am becoming an educated reader of the gay romance and the accompanying sex scenes. And it’s not like the sex was gratuitous or crass, either. It was genuine and passionate, and pass me that newspaper, ma’am, I need to fan myself. I never thought that gay sex would be hot, but man alive, thems is some hot live men.
So between the hot man action and the genuine, emotional interaction, this is a damn fine romance. Stay tuned for an upcoming review after I read their earlier publication, Spare Parts.
Filed: Reviews, Grade B, Authors, L-P

Doug Hoffman said on 08.15.05 at 04:18 AM • [comment link]
I enjoyed your review, Sarah, and now I’m seriously tempted. Gay—no; voyeur—yes.
One question. What is a luxurious outing? On the cover of GQ, perhaps? If someone ever outs me, it had damn well better NOT be in the Weekly World News.
Gabriele said on 08.15.05 at 04:22 AM • [comment link]
Lol Sarah, why do you think I love good slash fanfics. Gay sex is HOT.
Probably the reason why some gay characters sneaked into one of my NiPs and demanded some sex scenes ... and don’t you close the door. Not that I would. ;)
a.a.johnston said on 08.15.05 at 05:10 AM • [comment link]
I just finished reading Spare Parts and am looking forward to hearing what you have to say about it. And yes, gay sex, is definitely hot, fan worthy, and well, uhm…quite the horizon expander.
I may have to pick up Hot Sauce now. I’m a little curious about who the intended audience for the Romentics line is, though. There are a lot of women who do truly love a gay romance (the success of Queer as Folk should have clued people in earlier). I’m sure there are men who will also like this line, but as Gabriele stated, the slash phenom is primarily a woman’s genre and this line of books doesn’t quite have that same feel (Or not as far as I can tell from one novel) but it’s darn close.
PC Cast said on 08.15.05 at 05:11 AM • [comment link]
Okay Sarah. I’m going out to get me that book. I was intrigued and interested to begin with. Then you got to the hot gay sex part. Now I have to have it. Ur…um…for research, of course.
PC
Lucky Cover Bitch
Bron said on 08.15.05 at 07:16 AM • [comment link]
Damn, Sarah, that was one great review. Your honest response to a book, put into context. Thoughtful, brilliant and informative - and one of the best book reviews I’ve read in ages.
If ever I get published, I’m sending you a review copy. Even if you hate the book, I’ll know why it doesn’t work for you.
Okay, that’s my grovel for the day ;-)
celeste said on 08.15.05 at 07:41 AM • [comment link]
Wow. I am SO getting this book.
I’ve done some nonfiction research into gay sex for one of the novels I’m working on, but oddly enough, I’ve never actually read any gay romances—an omission I intend to correct at my first opportunity. I’ve already written the gay and MMF scenes for the story, but I could very well be missing some key aspects of what goes on, particularly from the guy’s perspective.
And I totally believe you about the hotness. :-)
Maili said on 08.15.05 at 09:24 AM • [comment link]
Stupid short input: I have a friend whose surname is Shakespeare.
*...*
That’s it, really. :)
Darlene Marshall said on 08.15.05 at 03:37 PM • [comment link]
Excellent review. You’ve done just what a reviewer should do, highlight why this book is readable and interesting, where the flaws are, and how the author deals with the flaws. Keep up the good work!
SB Sarah said on 08.15.05 at 03:59 PM • [comment link]
Y’all, I’m bright red at all the compliments. Thank you! I had to ponder this review for awhile to make sure that I wasn’t pressing my own heterosexual expectations on it, but bottom line (har har) it’s a fantastic read. I’m glad my careful effort paid off- thank you for the kudos!
JEA said on 08.15.05 at 04:13 PM • [comment link]
I’m so glad to hear it’s a good story. What with the last new episode of Queer as Folk last week, where is a girl supposed to get her fix of beautiful, mostly naked, men talking about relationships and love and feelings?
Woo hoo!
Angela H said on 08.15.05 at 04:24 PM • [comment link]
I hate to reveal my ignorance here, but what is “slash” fanfic?
a.a.johnston said on 08.15.05 at 05:50 PM • [comment link]
Angela H.; slash fiction is at its base
“Slash is…amateur fiction containing a sexually-*charged* relationship between two same-sex media characters, usually men.”
It’s intresting to note though that slash is written in the vast majority by straight women.
The “slash” monkiner comes fromt ehuse of the [/] mark to delineate the characters, i.e. Kirk/Spock.
SB Sarah said on 08.15.05 at 05:57 PM • [comment link]
I cannot even tell you what *I* thought the slash referred to. I’m just going to sit here and giggle. Geez.
Angela H said on 08.15.05 at 06:05 PM • [comment link]
Thanks for the info, a.a.johnston. That definition is much tamer than I was expecting. I was kinda going along the lines of what Sarah was probably thinking. Dirty, dirty girl.
a.a.johnston said on 08.15.05 at 06:23 PM • [comment link]
Well, if your brains went to the dark and violent, or even to the “slasher” subset of the horror/thriller genre, that certainly exisits in fan fiction as well, both in and out of the slash genre (and given the subject matter of some of the source material, it’s not that surprizing.)
But no, in fanfiction terms, it refers to the use of homoerotic subtext, however overtly or covertly.
It doesn’t even have to be particualrly graphic sex. UST (unresolved sexual tension) is as much a part of slash fan fiction as first time stories.
—Alta
SB Sarah said on 08.15.05 at 06:26 PM • [comment link]
No, I was thinking of another slash, or crack, entirely. More like, “...where the good Lord split ya.”
sherryfair said on 08.15.05 at 10:58 PM • [comment link]
Words I learned from this Web site today:
Twincest
Slash Fiction
Used in a sentence (to prove that I understand my new vocabulary words:
“I wrote some slash fiction today in which the Coulter’s Sherbrooke Twins engage in Twincest.”
And now, back on topic: Good job. This was an emotionally honest and intellectually honest review. And yeah, it makes me want to read the book.
Amanda said on 08.15.05 at 11:11 PM • [comment link]
Hot Sauce sounds delicious! Sorry, I couldn’t resist. I’ll have to add it to my wish list.
a.a.johnston said on 08.16.05 at 01:56 AM • [comment link]
Troy does not use words to describe his feelings; he does much better with the gesture or the gift than he does with the verbal account of his ardor. He is smooth and sophisticated at all turns, except when describing his feelings verbally. Brad, however, desperately wants to hear Troy say The Words, and Troy manages to avoid these verbal exchanges.
I had to read it again ‘cause it was so fun, but this caught my eye.
One of the problems for women who like homoerotic romances is that there is definitely a dividing line between what women want out of a romance and what traditionally produced homoerotic (or even gay) fiction has to offer. I totally get that Romentics line strives to be different (and bless their happily comitted souls for giving it to us!)
In the aforementioned “slash” fiction, amateur fiction, there’s often a complaint that the guys are well, too much like women—that they talk too much about how they feel, because men (not all but in general) don’t talk aobut how they feel and other guys don’t expect them to. Women want them too (and perhaps no where as commonly as in a traditional romance) but as a gentleman named Minotaur once told a room full of female writers, you know how hard it is to get a guy, your boyfriend or husband to communicate? Two guys together—it’s twice as difficult. [paraphrased]
I just found that particular plot point to be interesting. I’m not saying good or bad, just that it’s a reversal of much of what I’ve heard gay men say about homoerotic fiction written by women.
Hee! I may have to write Scott & Scott a fan letter.
Susan K said on 08.16.05 at 04:03 AM • [comment link]
I read the interview with Scott & Scott in The New York Times, and they definitely seem to have a more “traditional”, if that’s the correct word to use, view of Romance (with the capital R) than you’d find in most books written by men for men. Brad certainly is not alone in his need to hear “I love you” (assuming those are the words you men). There have been any number of threads on the AAR website about how unsatisfying a romance novel is if the hero doesn’t actually say this. Until I read these posts, I’d never even noticed if the hero said ILY or not—and I still don’t particularly care as long as his actions speak loudly enough, but clearly there are others who do notice and whose enjoyment is lessened if the hero doesn’t articulate his feelings. I enjoyed your review for all sorts of literary reasons but have to admit that learning about hot gay sex is what will induce me to buy the book.
Susan K said on 08.16.05 at 04:05 AM • [comment link]
P.S. At least we now know that sexism isn’t the reason so many romance novels for women have bad covers—the men’s books have the same problem.
Chris said on 08.16.05 at 09:44 AM • [comment link]
After reading your reviews of the novel covers, I actually laughed out loud. I had to share them with one of my ex boyfriends and my best friend. Wanting to eventually get into novel art, myself, I find it highly amusing the type of stuff some artists can get away with that I would never DARE to do. And I’m a boy who’s comfortable with ‘raunchier’ things.
Well done and well thought out. I really appreciate the effort taken not to stereotype gay romance in the ‘which one’s the male’ format, as things are never so cut and dried (even in real heterosexual relationships, there’s a give and take of masculine and feminine. Unless you’re married to the Brawney Paper Towel guy. Now there’s a dream come true!) If I wore a hat, I would definitely tip it to you lovely ladies for your hard work.
SB Sarah said on 08.16.05 at 07:11 PM • [comment link]
Hey Chris: thanks for the compliment! It’s amazing what cover artists in romance get away with. Man titty is just dumbfounding.
And thanks for the kudos on the review - it is really easy to imprint heterosexist expectations on gay couples (e.g. which one is the man/woman, who plays what role) and I tried deliberately to avoid doing so, because insecurity is certainly not the domain of one gender!
And the paper towel dude? Hasn’t he been wearing the same shirt for 40 years? Don’t know if I could handle that laundry duty. Phew.
Michelle K said on 08.16.05 at 07:54 PM • [comment link]
Regrading descriptive gay sex, if I remember correctly, James Baldwin had some pretty explicit homosexual sex scenes in at least one of his books.
As I was in high school when I read James Baldwin it may be much less explicit than I remember, but in my memory at least it was pretty descriptive.
Chris said on 08.16.05 at 08:39 PM • [comment link]
No, insecurity certainly isn’t one gender only! Regarding the ‘imprint’, I frequently find that authors themselves do this. Even professional ones. You’ll find that one member of a same sex couple is almost always the more aggressive, sexual one, while the other is more meek and ‘proper lady’ish.
This is, unfortunately, most common in Slashfic, and more specifically in the anime slashfic subgrouping known collectively as yaoi or shonen ai.
As to the Brawney guy… Nah. They replaced him recently with a younger, softer, less rugged looking guy, which was kinda sad, in a way.
a.a.johnston said on 08.16.05 at 09:08 PM • [comment link]
EEK! The new Brawney Guy! The one with the cake and the puppy? I’d chase him out ofthe house. And the guy that does the voice over? It’s like a bad horror story.
I agree about the yaoi/shonen ai fic, but quite honestly, that’s a whole other aesthetic than one we’re familiar with in western literature. The whole semi/uke dynamic doesn’t really have a analogy here that isn’t forced (i.e. making one character smaller and thus more feminine)
I’d happily reccommend Mel Keegan’s work if it wasn’t so damn expensive (And Mel seriously needs a better editor at times) but overall the stories and plats and characters hold up as being more realistic men rather than romanticized ones…
But still, The Romentics imprint comes closer to what I want than most novels.
amazoniowan said on 08.16.05 at 11:25 PM • [comment link]
Great review. I read this book right about the time of the whole RWA survey hullabaloo. For a few minutes there was a surreal sense, a, “Hey, I’m reading a book about a relationship, but they’re both gay!” Then I got caught up in the relationship and I just read it. It was an excellent book to read in the afternoons at the wading pool.
Now I’m just looking forward to the day when RWA has a subcategory titled, “Best gay romance.” Heh.
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